brett whiteley self portrait 1975

[4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). No other artist left traces of his own locks on so many canvases. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. Brett Whiteley - portrait 1 1975 Greg Weight. (1975), both from the collection of the Art Gallery of NSW. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . 46. Barbara Konkolowicz, A different vision, Sydney, 1998. . They had borrowed the money, using their car as collateral. He painted a series of paintings based on these events, including Head of Christie. According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. 44-45, Sydney, Jun 2012, 45 (colour illus.). I think he has done this to make the place seem more realistic because if he had . Jennifer Phipps role at the time of publication was Curator of Australian Art. Brett Whiteley painting - alchemy 1972-1973 Art Print. Brett Whiteley, AO was an Australian artist. Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. 213-236, Sydney, Summer 1982, 235 (colour illus.). I think that the artwork is set in Brett Whiteley's studio Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. ), 205 (colour detail illus.). Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. He . . In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. By townxycolter. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 21, Sydney, 2008, 20 (colour illus. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. . He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. It premiered at the Sydney Opera House on 15 July 2019. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Gregory Weight/Copyright Agency, 2022, Greg Weight In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. He soon settled in Lavender Bay. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. Its not the dark, edgy image of a celebrity, but the portrait of an artist. This clip shows Brett Whiteley's artworks in his studio intercut with black-and-white photographs of him as a child. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. cat.no. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. 30-35, London, 2013, 31 (colour illus.). His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. 15-41, London, 1995, 35-36, 145 (colour illus. His wife Wendy appears as "Delish". Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Typically, the viewer is led deeper into the picture by means of minute detail. Barry Pearce et al., Brett Whiteley education pack, 'Self-Portraits and Other Intimacies', Sydney, 1995, (illus.). Having attained the height of success, he realised that from this pinnacle the only way is down. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. However Marlborough-Gerson, his gallery, refused to show the work, and he was so distraught that he decided to leave New York, and he 'fled' to Fiji. However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. One image which uses van Gogh's style in a unique way is The night caf (197172). [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. 63-87, Sydney, 1999, 77 (colour illus. ), 6-7. Bill Gregory, Art and Australia (Vol. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. plate no. Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. Jill Sykes (Editor), Look, 'What's on elsewhere', pg. The room is a veritable salon hang of the artists sculptures and drawings. card no. 0 bids Ending Today at 22:53 AEDST 19h 16m Local pickup. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. 176-181, Sydney, 1984, 176, 177 (colour illus.). ), 81. Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. cat.no. For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. Drugs and . Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). You entered the wrong email. 6-7, Sydney, 1981, 6, 25 (colour illus.). This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. Email clairem@ag.nsw.gov.au. 2023 John McDonald. 9-13, Cammeray, (1995-1996), 9-13. 7: BRETT WHITELEY, DAISIES, 1975 - 76. . 26, Sydney, Jun 2014, 26 (colour illus.). Brett said he had wanted it to scare himself straight. [1]. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. . The elongated centre image of Whiteley references the uproar over William Dobells unconventional Archibald-winning portrait of Joshua Smith of 1943. Brett Whiteley is photographed by Robert Walker at. 1924 Miss Collins by W B McInnes. Why did that particular work gain your attention? Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. Donated through. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. Brett Whiteley: van Gogh self portraits, Greenhill Galleries, , 27 Jan 1987-22 Feb 1987. Greg Weight (b. The Self-portrait of 1977 sits squarely between his two Archibald Prize winners: Self-portrait in the studioof 1976, and Art, life and the other thing in 1978. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. This article looks at art reflecting society. He started drawing at a very early age. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. This article appeared in the `Art' section of the newspaper. Whiteleys art was intimately connected to his tumultuous, creative life. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. Self-portrait with reading specs, 1991. Get the best deals on Brett Whiteley Art Prints. Free delivery and returns on eBay Plus items for Plus members. [24] The paperback, featuring a new cover, was released in 2017. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. Shop with Afterpay on eligible items. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). The Balcony 2 Brett Whiteley 1975. . This is a review of an exhibition which consists of Archibald Prize winning paintings, that was held at. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. BRETT WHITELEY Unknown (Editor), Sun-Herald, 'The canvas of chaos - Brett Whiteley interview with Sam Newman', pg. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. 71-89, Sydney, 1984, 72, 72 (colour illus.). Subtitled; An extraordinary life. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . card no. Birds and heroes people Brett Whiteley's art. Joseph Brown Gallery, Melbourne, 1977. Brett Whiteley Studio Collection. 23, Sydney, 2008, 3, 22 (colour illus. 13, no. As it turned out, he could be neither scared nor shamed into giving up heroin. Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick Whites list of his loves and hates onto his great portrait of the writer. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. SELF-PORTRAIT, 1977 His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. 1927 Mrs Annie Murdoch by G. W. Lambert. The balcony 2 Brett Whiteley 1975 116.1981. Portraiture shouldnt just be paint and canvas. It took a great deal of his time and effort, taking about a year of full-time work. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. corner, white oil "1975 brett whiteley". Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. Deborah Edwards, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, 'Introduction', pg. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). Whiteley loved painting Sydney Harbour views in the 1970s such as in his paintings, Henri's Armchair (1974)[10] The balcony 2 (1975)[11] and Interior with time past (1976),[12] which show an interior and exterior view starting with a room that leads through open windows to the harbour full of boats outside. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. 201-202, North Ryde, 2010, 202 (colour illus.). Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. Do you feel you are watching the subject or is the subject watching you? Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Landscape and gesture', pg. Alec George, Look, 'Whiteley's 'inner paddock', pg. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. Throughout his career, Whiteley would return again and again to the self-portrait, as a form of self-examination and self-dramatisation. He won the Wynne Prize again, in 1984, with The South Coast after rain. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. From $32.10. I think he has done this to make the place seem more realistic because if he had . (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. Andrew Powell, Departures, 'Sydney[.] Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. The balcony 2 Brett Whiteley 1975 116.1981. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Summer at Carcoar Brett Whiteley 1977. 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. 36. This website comprises and contains copyrighted materials and works. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). A photograph of a youthful Brett Whiteley also accompanies this article. After studying desultorily at art school he travelled to Europe on ascholarship. At the age of 16, while boarding at Scots College in Bathurst, he came across a book on Vincent Van Gogh and painted a self-portrait in emulation of the famously misunderstood Dutchman. Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. From $35.80. 'Strung between triumph, tragedy' an obituary by Barry Pearce. Free entry, Find out what you need to know before visiting. All Rights Reserved. 2023 Guardian News & Media Limited or its affiliated companies. And now perhaps just a bit taken with her own image', pg. As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. 20, No. Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. His expression is completely blank, as if he wanted only to pause and take stock of himself. 21, Port Melbourne, 2005, 21 (colour illus.). signed lower right: brett whiteley. He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. Wave Brett Whiteley 115.1997. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. 15 Jun 1992. 190-210, Cambridge, 1988, cover (illus. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. The sculpture depicted on the right and others in the . See opening hours Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. 'Review' magazine. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. 86. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . List of journal articles on the topic 'Stanley Press (Firm)'. card no. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . Almost too brutally honest, it seemed like the final flaring of a dying star. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. The Australian artist is often celebrated for his painting but all his works had drawing at their core. Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). 6-7, Melbourne, Jul 1996, 6 (illus. signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. [4] In 1962, Whiteley married Wendy Julius. I agree to terms and conditions. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. The absorbing detail of the first painting has disappeared, as the artist withdraws into his own head. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. All rights reserved. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. ), 162 (colour illus.). [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. 07 Apr 1939 This article appears in 'The Arts' section of the newspaper. Shop today! Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. Mervyn Horton (Editor), Art and Australia [vol. How would the space be divided and what objects of inspiration would be around you? Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. 174-195, Oxford, 2001, 190 (colour illus.). Share on Facebook Share on Twitter. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. David Shteinman, Philosopher, 'Tribute to a Dionysian Free Spirit. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. Brett Whiteley with Self Portrait in Studio 1976. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). 22.). After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. How does he push the definition of portraiture? The illustration in this publication is a detail of this image. This article appeared in 'The Arts' section, and Dr. Keeney discusses problems artists have when painting their own hands. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year.

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